The Water of Leith.] THE LAUDERS. 83
massive little mansion of Groat Hall, with a thatched
roof, whilom the property of Sir John Smith, Provost
of the city in 1643, whose daughter figured
as the heroine of the strange story connected with
the legend of the Morocco Land in the Canongate,
and whose sister (Giles Smith) was wife of Sir
William Gray of Pittendrum.
St. Cuthbert?s Poorhouse, a great quadrangular
edifice, stands in the eastern vicinity of Craigleith
Quarry. It was built in 1866-7, at a cost of
jG40,000, and has amenities of situation and
elegance of structure very rarely associated with
a residence for the poor.
Eastward of Stockbridge, and almost forming an
integral part of it, lies the now nearly absorbed and
half extinct, but ancient, village of Silvermills, a secluded
hamlet once, clustering by the ancient milllade,
and which of old lay within the Earony of
Broughton. It was chiefly occupied by tanners,
whose branch of trade is still carried on there by
the lade, which runs under Clarence Street: through
the village, and passes on to Canonmills. Some of
the houses still show designs of thistles and roses
on gablets, With the crowsteps of the sixteenth
century.
A little to the west of St. Stephen?s Church, a
narrow lane leads downward to the village, passing
through what was apparently the main street, and
emerges at Henderson Row, so called from the
Lord Provost of that name. According to
Chambers, a walk on a summer day from the old
city to the village, a hundred years ago, was considered
a very delightful one, and much ?adopted
by idlers, the roads being then through corn-fields
and pleasant nursery-grounds.
No notice, says Chambers, has ever been taken
of Silvermills in any of the books regarding Edicburgh,
nor has any attempt ever been made to
account for its somewhat piquant name. ?I
shall endeavour to do so,? he adds. ?In 1607
silver was found in considerable abundance at
Hilderstone, in Linlithgowshire, on the property of
the gentleman who figures as Tarn 0? the Cowgate.
Thirty-eight barrels of ore were sent to the mint in
the Tower of London to be tried, and were found
to give twenty-four ounces of silver for every
hundredweight. Expert persons were placed upon
the mine, and mills were erected upon the Water
of Leith for the melting and fining the ore. The
sagacious owner gave the mine the name of Go8s
BZessing. By-and-bye the king heard of it, and,
thinking it improper that any such fountain of
wealth should belong to a private person, purchased
? God?s Blessing? for L~,OOO, that it might
be worked upon a larger scale for the benefit of
the public But somehow, from the time it left
the hands of the original owner, ? God?s Blessing?
ceased to be anything like so fertile as it had been,
and in time the king withdrew from the enterprise,
a great loser. The Silvermills I conceive to have
been a part of the abandoned plant.?
This derivation seems extremely probable, but
Wilson thinks the name may have originated in
some of the alchemical projects of James IV., or
his son, James V.
city,? says the Edinburgh Week& Magazine for
January, 1774, ?we are informed of a very singular
accident. On the nights of the zznd, 23rd, and
24th inst., the Canonmills dam, by reason of the
intenseness of the frost, was so gorged with ice and
snow, that at last the water, finding no vent, stagnated
to such a degree that it overfIowed the
lower floors of the houses in Silvermills, which
obliged many of the inhabitants to remove to the
risi,ng grounds adjacent. One family in particular,
not perceiving their danger till they observed the
cradle with a child in it afloat, and all the furniture
swimming, found it necessary to make their
escape out of the back windows, and were carried
on horseback to dry land.?
St. Stephen?s Established Church, at the foot
of St. Vincent Street, towers in a huge mass over
Silvermills, and was built in 1826-8, after designs
by W. H. Playfair, It is a massive octagonal
structure in mixed Roman style, with a grand, yet
simple, entrance porch, and a square tower 165 feet
high. It contains above 1,600 sittings. The parish
was disjoined from the conterminous parishes in
1828 by the Presbytery of Edinburgh and the Teind
Court. Itwas opened on Sunday, the 20th December,
1828, when the well-known Dr, Brunton preached
to the Lord Provost and magistrates in their official
robes, and the Rev. Henry Grey officiated in the
afternoon.
In an old mansion, immediately behind where
this church now stands, were born Robert Scott
Lauder, R.S. A., and his brother, James Eckford
Lauder, RSA., two artists of considerable note in
their time. The former was born in 1803, and for
some years, after attaining a name, resided in.No. 7,
Carlton Street. A love of art was early manifested
by him, and acquaintance with his young neighbour,
David Roberts, fostered it. The latter instructed
him in the mode of mixing colours, and urged him
to follow art as a profession ; thus, in his youth he
entered the Trustees? Academy, then under the
care of Mr. Andrew Wilson.
After this he went to London, and worked with
great assiduity in the British Museum. In 1826
?From Silvermills, a little northward of this .
84 OLD AND NEW EDINBURGH. [The Water of Leith.
he was again in his native city, when he re-entered
.the Academy, then under the charge of Sir
William Allan, and won the friendship of that
eminent landscape painter the Rev. John Thomson,
minister of Duddingstone, whose daughter he
married. After remaining five years on the Continent,
studying the works of all the great masters
in Venice, Bologna, Florence, and Rome, he settled
in London in 1838, &here his leading pictures began
to attract considerable attention. Among them
brance,? as the inscription recods it, ?of his unfailing
sympathy as a friend, and able guidance as
a master.?
His brother, James Eckford Lauder, R.S.A., died
in his fifty-seventh year, on the 29th of February,
1869-so little time intervened between their deaths.
In an old house, now removed, at the north end
of Silvermills, there lived long an eminent collector
of Scottish antiquities, also an artist-W. B. Johnstone,
soine of whose works are in the Scottish
THE EDINBURGH ACADEMY.
were the U Trial of Effie Deans ? and the ? Bride
of Lammermuir,? ?? Christ walking on the Waters,?
and ? Christ teaching Humility,? which now hangs
in the Scottish National Gallery. His pictures are
all characterised by careful drawing and harmonious
colouring. He was made a member of the Royal
Scottish Academy in 1830.
Returning to Edinburgh in 1850,he was appointed
principal teacher in the Trustees? Academy, where
he continued to exercise considerable influence on
the rising school of Scottish art, till he was struck
with paralysis, and died on the zIst April, 1869,
at Wardie. A handsome monument was erected
over his grave in Wamston Cemetery by his students
of the School of Design, ? in grateful remem-
Gallery, where also hangs a portrait of him, painted
by John Phillip, R.A.
At the north-west corner of Clarence Street, in
the common stair entering from Hamilton Place,
near where stands a huge Board School, there long
resided another eminent antiquary, who was also a
member of the Scottish Academy-the well-known
James Drurnmond, whose ? Porteous Mob ? and
other works, evincing great clearness of drawing,
brilliancy of colour, and studiously correct historical
and artistic detail, hang in the National Gallery.
Immediately north of Silvermills, in what was
~ formerly called Canonmills Park, stands the
Edinburgh Deaf and Dumb Institution, a large
square edifice, built a little way back from Hender
