viii LIST OF ILL USTRA TIONS,
74. OLD ASSEMBLYR OOM&W ESTB ow,
75. Clamshell Turnpike, .
76. Lochaber Axes, .
77. Ancient Inacriptiong, from Blackfriars’ Wynd,
78. Allan Ramsay’s Shop, opposite Niddry‘s
79. Ancient Gothic Corbel, North Gray’s Cloae, .
80. Ancient Sculpture, the Offering of the Wise
Men, from Sandiland’s Close, .
81. JOHKNNO X’BH OWBNEE, THERBOW,.
82. Ancient Doorway, Blackfriars’ Wynd,
83. CARDINABLE ATON’HS OUSEC,O WGATE,
84. Ancient Doorways, Fountain Close, .
85. NETHERBOPWO RTF,R OM THE EAST, .
86. Canongate Tolbooth, .
87. Gothic Niche, Old Fleshmarket Close, Canon-
88. SYOLLET’HS OUSE,S T JOHSNT RF.ETC, ANON.
89. Canongate Cross, .
WPd, .
,.
gate, .
OATE, .
90. MANSION OF aEOUCiE FIRST NARQUIS OF
HUNTLYB, AKEHOUSCEL OSE,C ANOXGATE.,
91. .NISBETO F DIRLETON’HS OUSEC, ANONGATE.,
92. Jenny Ha’s Change-House, Canongate, .
93. BACKO F TEE WHITE HORSEC L OC~AN ON-
94. Ancient Turnpike Stair, Symson’s House,
95. Tirling Pin, Mint Close, .
96. Ancient Inscription, Cowgate,
97. Initials from an Ancient Doorway, Cow-
GATE,
Cowgate, .
gate, *
98. SYMSON’B (THE PRINTER’S) HOUSE, COWGATE, .
PACE
232
244
246
249
251
254
256
257
264
265
272
273
276
278
288
293
293
297
300
304
310
317
321
323
324
PAOB
99. Tailors’ Hall, Cowgate, . . 326
100. FRENCAHM BASSAIIOBC’HBA PELC, OWGATE,. 328
101. BROWNSQ UAREFR, OM THE SOCIETY., . 332
102. Uothic Niche, College Wynd, , 332
103. Major Weir’s House, West Bow, . . 333
104. THE WEST BOW, ENTRANCE TO MAJOR WEIR’S
HOUSE, . . 336
105, Ancient Finials, from the Grassmarket, . 343
106, THE POTTERROW, . . 344
107. HOSPITAOFL OUR LADY, PAUL’8 WORK, 352
108. ST NIKIAN’SR ow, 1845, . . 356
109. Sculpture Arms, Vinegar Close, Leith, . 356
110. ANCIERTCO UNCIL-HOU8E, COALHILL, LEITH, . 361
111. ANCIENTS IGNALT OWERT, OLBOOTWH YND,
LEITH, . 365
112. Cinerary Urn, dug np at the Dean, . . 370
113. The Tolbooth of Broughton, . . 372
114. Chapel of Robert, Duke of Albany, St Giles’s
Church, . . 377
115. Norman Doorway, North Porch, St Giles’a
Church, . . 379
116 ST GILES’S CHURCH, FROM THE NORTHWest,
. 384
117. Sculptured BOSBf, rom St Eloi‘s Chapel, St
Giles’s Church, . . . 387
118. Ornamental Details, from Trinity College
Church, . . 395
119. TRINITHYO SPITAL,W OMEN‘RW ARD,, 396
120. Abbot Crawford’s Arms, from Holyrood
Abbey, . , 406
121. OLDG REYFRIARCS’H URCH, . . 412
122. Wrychtishousis, . . 432
123. GROUNDPL ANO F STG ILE~’Cs HURCH, 452
.
PREFACE.
THE Work now brought .to a close, under the title of MEMORIALOSF EDINBURIGN HTH E
In the gratification
of a taste for the pictaresque.relics of the past, with which the old Scottish capital
abounds, a considerable number of sketches and drawings accumulated, which acquired a
value altogether apart from any claim to artistic merit, when the subjects of many of
them disappeared in the course of the radical changes wrought of late years on the Old
Town. Believing that the interest which these monuments of former ages are calculated
to excite commands the sympathy of a numerous and increasing class, I was induced to
prepare a selection of the drawings for engraving, and to draw up a slight descriptive
narrative to accompany them ;- but the absence’ of desirable information in other works
on the subject, and the accumulation of a good deal of curious material, led to a total
change of plan, the result of,which is now before the reader.
’ OLDENT IME,w as begun years ago, not with the pen, but the pencil.
On referring to the works already published on the antiquities of Edinburgh, none of
them seemed to embrace the object in view. ’ Maitland’s history presents a huge accumulation
of valuable, and generally accurate, but nearly undigested materials ; while Amot
furnishes a lively and piquant rvacirnento of his .predecessor’s labours, embellished With
occasional illustrations derived from hie own researches ; but, with one or two slight
exceptions, neither of them have attempted to describe what they were themsehea
cognisant of. Both of the historians of Edinburgh seem, indeed, to have racked, that
invaluable’ faculty of the topographer, styled by phrenologists locality, and the consequence
is, that we are treated with a large canvas, composed in the historic vein of high art,
when probably most readers would much’ rather have preferred a cabinet picture -of the
Dutch cichool. In striking contrast taeither of these, are Mr Robert Chambers’u delightful
d